An image from Laurel Nakadate’s 365 Days: A Catalogue of Tears, 2011.
A Joyous Crybaby reader out in California emailed me the other day and asked if I had ever heard of Laurel Nakadate. He said that my blog reminded him of her work 365 Days: A Catalogue of Tears (performed in 2010 and first exhibited in 2011). No, I didn’t know of her, but I looked her up, and Nakadate’s work in photography, video, and film is fascinating. Thanks, Christopher Wu, for pointing her out.
Whereas I thought about making myself cry every day for a year, Nakadate actually did it, and 365 Days: A Catalogue of Tears records that experience. In fact, she notes in this interview with White Hot Magazine:
the original reason why I started this project—I was looking on Facebook and on other websites and I was seeing how everyone fakes happiness all of the time. I mean, is it really true that all 3,000 of my Facebook friends are happy every day? ‘Cause according to their pictures they are! I just thought in direct retaliation against the concept that we should fake our happiness every day to present the right façade perhaps I’ll deliberately turn the other way and take part in sadness each day and see where that gets me.
It got her somewhere indeed. She notes that the project had the following effects:
* Though the project was “grueling” and “hard,” she grew “to depend on the consistency of the daily performance” and gained “more comfort than I imagined it could bring.”
* She began to think of crying in a different way, less as a “tsunami” and more just “a fluid thing that occurs, … a part of living.”
* People have started talking with her more freely about sadness and her art has started “a conversation about a taboo topic.”
So today I share with you the work of Laurel Nakadate. Photos from this project are available in book form, with an introduction by wonderful writer Rick Moody, as well as a sampling in this We Find Wildness blog post. She is represented by Leslie Tonkonow Artworks + Projects.