Tag Archives: John Prine

25 (More or Less) Sad Songs

This is the first post I’ve made on the Joyous Crybaby blog in close to a decade—but I knew I was letting it hang around for some reason. Today I have one, which is that my friend Lou Mindar posted his own 25 Saddest Songs list and asked for other such songs/lists. Not that I’m reviving Joyous Crybaby, but it seems like an easy place to make a kinda large list like this and it perfectly aligns with the Joyous Crybaby theme. Sad songs are, of course, sad, but they are also beautiful and beloved. Back in the day, I kept a page of Songs That Make US Cry, and many of these first appeared there.

I haven’t tried to put these in rank order, and I haven’t had time to write up the kind of thoughtful commentaries that Lou included in his list. Rather, I’ve treated these more like a play list, attempting at least a little to include contrasts and transitions and echoes through the list. Like an old mix tape, which it’s clear is my era. I’m self-conscious about how this list reflects that era and my age. I tried to fit in a couple of more recent things, but, really, they just weren’t as emotional for me. And it’s also true that I have not kept up with popular music much since about 2000, not because of a lack of interest so much as overwork and other stuff that goes with it. I’m trying to retrieve myself these days, so I do things like pause and make a sad songs list. Thanks to Lou for the inspiration.

This list goes slightly over 25—with two songs by Joe Jackson’s great double album Big World, two arias because I couldn’t decide which was sadder, and a couple of extras at the end, so really a total of 29 songs, all of which are more or less sad. I felt it important to include some angry-sad songs in addition to the wistful-sad ones, and, of course, sadness often carries at least a tinge of hope. A few other songs came really close but didn’t make it to this final list: REM’s “Everybody Hurts,” The Who’s “Behind Blue Eyes,” Melissa Etheridge’s “Breathe,” and Neil Young’s “Old Man.”

Enjoy! Weep!

1. Paradise

Written and performed by John Prine

2. Pretty Bird

Written by Hazel Dickens

Performed a capella by Hazel Dickens on the album Hazel & Alice [Gerrard]

3. The Boxer

Written by Paul Simon

Performed by Simon & Garfunkel

4. Love Has No Pride

Written by Eric Justin Kaz and Libby Titus

Performed by Bonnie Raitt

5. Rainy Night in Georgia

Written by Tony Joe White

Performed by Brook Benton

6. a. Shanghai Sky and 6. b. We Can’t Live Together

Written and performed by Joe Jackson

7. Eleanor Rigby

Written by Paul McCartney and John Lennon

Performed by The Beatles

8. Backwater Blues

Written and performed by Bessie Smith

9. Nocturne, B. 49: Lento con gran espressione in C-sharp minor

Written by Frederic Chopin

Performed by Janusz Olejniczak

10. Little Green

Written and performed by Joni Mitchell

11. Fast Car

Written and performed by Tracy Chapman

12. Death Song

Traditional song arranged and performed by R. Carlos Nakai

13. Redemption Song

Written and performed by Bob Marley

14. Wish You Were Here

Written by David Gilmour and Roger Waters

Performed by Pink Floyd

15. Asimbonanga (Mandela)

Written by Johnny Clegg

Performed by Johnny Clegg and Savuka

16. Crime for Crime

Written and performed by Ani DiFranco

17. Hang Down Your Head

Written by Tom Waits and Kathleen Brennan

Performed by Tom Waits

18. I Loved a Lass

Traditional arranged by Terry Cox, Bert Jansch, Jacqui McShee, John Renbourn, Danny Thompson

Performed by The Pentangle

19. Devil Song

Written and performed by Beth Orton

20. Killing Me Softly

Written by Charles Fox and Norman Gimbel

Performed by Roberta Flack

21. With or Without You

Written by Bono and U2

Performed by U2

22 a. and b. I could not choose which of these was sadder, so feel free to pick one or listen to both.

Un bel di (from Madame Butterfly)

Written by Giacomo Puccini

Performed by Leontyne Price and the Orchestra de Radio-Canada and Jacques Beaudry

Ebben? Ne andrò lontana (from La Wally)

Written by Alfredo Catalani

Performed by Angela Gheorghiu and the Royal Philharmonic Orchestra and Marco Armiliato

23. Mona Lisas and Mad Hatters

Written and performed by Elton John

24. Me and Bobby McGee

Written by Kris Kristofferson

Performed by Janis Joplin

25. Blowin’ in the Wind

Written by Bob Dylan

Performed by Bob Dylan

Performed by Peter, Paul, and Mary

26. Gone for Good

Written by Mark Sandman, Dana Colley, and Billy Conway

Performed by Morphine

PostScript. The Lark Ascending

Written by Ralph Vaughn-Williams

Performed by Hilary Hahn with the London Symphony Orchestra and Sir Colin Davis

Hallelujah

Posted on

A beautiful song for the third anniversary of my marriage to Bruce. This “Hallelujah” was written by Leonard Cohen, whom I posted about just the other day, and is sung here by kd lang, who Bruce and I saw in concert here in Orlando last Sunday.

So many thoughts—

One reason why this song is perfect for today is that Bruce, like lang and Cohen, is a Canadian. “Canadian content” is one of our short-hand phrases for pointing that out—the distance from which we came together.

Another reason is that the love of people our age is complicated. Just this morning, I woke up with a low blood sugar and burst into tears over anxiety about our upcoming trip to Berlin—all my fears of not being able to keep up because of the arthritis in my foot and needing to rummage around in his friends’ kitchen for low-blood-sugar juice in the middle of the night and of my stomach getting upset over unfamiliar foods… Bruce and I had to talk it all out, and I told him after I realized what day it is that maybe I should wish him an unhappy anniversary. But, no, he loves me—and I love him—in spite of all the flaws of our human condition. “All the perfect and broken Hallelujahs have an equal value,” Cohen is quoted as saying about the song, and that seems appropriate today, even though I would not call my love a cold or broken hallelujah. Quite the contrary.

But even the kd lang concert the other night gave me much food for thought. Beyond the beauty of lang’s voice and the sheer pleasure of the concert, I have to note that it was not particularly well attended. Bruce and I—and no telling how many others—had gotten free tickets in a last-minute promotion, which was no doubt inspired by poor ticket sales. The Hard Rock Café concert space was even so only about 2/3 full, and I felt bad about this. Lang gave a terrific performance, and I know that non-sellout shows must be a standard feature of the musician’s life, but it was hard for me to believe that someone as distinguished as kd lang hadn’t filled the place up.

Bruce noted that there’s really no great way to keep up with events going on in Orlando, and several friends commented later that they, alas, had not realized she would be here. We ourselves had missed a John Prine concert just a few days earlier in spite of the fact that I’m his fan on Facebook and would have loved to be there. (I first saw him in concert in about 1977, and perhaps we should label him with “Appalachian content” to also indicate the different roots Bruce and I have.) It’s just hard to keep up, and we are distracted from our “entertainment” options, even the profound ones, by our work.

Such is the unpredictable and accidental nature of fame, art, love, and human life. Today, I am grateful to be experiencing all that together with him.

Angel from Montgomery

This is one of my favorite songs that plays with persona and identity. Serendipitously, my brother reminded me of it this weekend, just when I’d been thinking about how it is that art can transcend identity categories. It’s a beautiful, wistful song, and, as John Prine points out in this video, it’s in the voice of a “47-year-old housewife” even though it was written by him. I might add that it was written by him when he was young enough to think that 47 is old.

Bonnie Raitt, of course, is the person who made it famous. She has a voice like no other and that has transcended genre and made many a convert to country and blues. So, I offer her version, too, even though I put the Prine one first, on the basis of authorship, the lovely video of him on the river, and the way he describes his imaginative process.

Your Flag Decal Won’t Get You into Heaven Anymore


This week’s last anti-war song is by one of my old favorites, John Prine—it’s about flags as “Makeshift Patriot” is about flags, but from about as different a source as you will find. And this one comes to us from the 1970s, with the implicit question attached of why humans never seem to learn about war.

This is also a funny song. I’ve been self-conscious lately about my earnestness, how obnoxious it can be. Granted, the week of 9/11 is not the time to throw caution to the wind and try to be funny. But humor does return, as reported by both Studio 360 and WYNC. There is a strong relationship between tragedy and comedy. Even Freud knew that jokes are serious business. Ha ha.