Category Archives: Music

Bridge Over Troubled Water

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When I was young—and I mean pre-teen—my friends and I worshipped Simon & Garfunkel. We called their songbook our “bible,” and listened to them all the time. Why we were such moody children I’ve no idea, but I still love S&G like nothing else, and I miss the straightforward friendships of childhood.

“Bridge Over Troubled Water” isn’t my favorite S&G song—it would have to compete with “The Boxer” and “Homeward Bound,” both of which I really love more. But “Bridge Over Troubled Water” reminds me of that particular set of friends that I met in 5th grade and who I thought would always be my closest friends. I couldn’t imagine life without them. They and their horses and dogs and cats and the many, many allegorical stories we wrote together certainly contributed to the person I am today.

I first made friends with Mouse and Barndoor, who are sisters. We were also friends with a girl named Bee, and after I moved across the state another girl named Maggot joined the crew. My nickname was Sa, but my little icon was a drawing of a smiling saw. We each had a cutesy icon that always accompanied our signatures in our many letters. Today I suppose we would have avatars. But back then, we sent letters with wax seals and elaborate news. We all saw each other for weeks in the summer, and our parents trundled us back and forth across the state of Tennessee for these visits. I rode the Greyhound bus by myself.

I haven’t seen any of these women in years. I heard a rumor once that Bee is dead, and I haven’t been able to find her anywhere on the internet. I might be able to get in touch with her brother, now a Hollywood producer, and ask him: Death or marriage? How did she disappear so completely? But I don’t want to ask him painful questions, and he might not even remember me.

Maggot has become a physician like her father and lives near my mother in a completely different state than where we grew up. Maybe some time when I’m visiting, I will look her up.

It’s Mouse and Barndoor who haunt me, though. I loved them so much. From what I understand Barndoor has fared the better of the two, though her older sister dominated their childhood and was always more popular. Barndoor and I had in common that younger-sibling thing. I tried to stay in touch, but Barndoor was standoffish. I think she couldn’t wait to get away from her childhood. The facts I know are that Barndoor went through a short phase of evangelical Christianity, married and divorced very young, became a nurse, and at latest news was married to a “little person.”

Mouse, on the other hand, took all her potential and moved to New York City where she was a paralegal and then married a wealthy heir and became addicted to drugs. For years, I had no clue what was going on. She entered a master’s program in anthropology but didn’t finish it. She quit working. She volunteered at a senior center but then didn’t any more. I would plan to be in New York and see her and her husband, but she would call and cancel at the last minute. Sometimes this would be dramatic: they’d be in a cab on the way to meet me, and she would call and say she was terribly ill and had to go home. It was always her stomach, and her mother had died of a sudden stomach illness when we were teenagers, so I thought she just associated me with that painful memory.

When I was back home in Knoxville, I’d go to see their dad. Max (I had given up his nickname—Muck—as I got older) lived eccentrically—for a while on a houseboat, always with numerous cats and dogs and their barely contained (or not contained) mess. I would perch on the cleanest corner of a kitchen chair, and we would talk over the latest photos of Mouse and Barndoor on his refrigerator. After he was diagnosed with Type 2 diabetes, we talked about blood sugars, and I tried to encourage him to get better medical care, as his clearly wasn’t good. Finally, he told me that Mouse had been in rehab after rehab, but that her wealthy husband had given up on her and moved out. I saw him one last time in a nursing home, after his leg had been amputated.

With Mouse, I followed with calls and cards, with brochures about programs to help women re-enter the work force, with one or two visits that actually happened. We talked about her dog and my cats. We talked about my work and her dreams. I thought I might be able to be her bridge over troubled water. But eventually, Max died and Mouse became unreachable. Nothing ever got better for long, and I got tired. I gave up, though I still mail an occasional birthday card and hope against hope that she has found her way.

I also still have a tiny cross-stitch pillow that hangs on a doorknob, which she sent me after one of my flurries of support. It says, “Old friends are the best friends.”

Crime for Crime

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In a week when most of us in the U.S. are called upon to celebrate our freedom, just a reminder that the United States has the highest incarceration rate of any country in the world.

By 2009, 2,284,913 people were in prison in the U.S. That is approximately 1 in every 135 people. Many or most of these people are incarcerated for non-violent crimes like drug possession and immigration violations. These numbers have continued to rise even as violent crime rates have dropped.

By 2009, 7,225,800 people were either in prison or jail or on probation or parole, or 1 in every 32 people. Read that again. When I mentioned it to my husband, he said, “Really? Maybe you should double-check that.” I did. Yes, 1 in every 32 people.

Wow.

That might not be 1 in 32 of the people I know, or that you know, but that just means that in some neighborhoods, it’s 1 in 10, or 1 in 5, or every single adult in sight.

These numbers should make us cry. They are a great shame to us all.

And that’s another thing: all the money that goes into our prison system does not go into education. By 2008, in five states, prison expenditures had already surpassed those for education, and across the country as a whole prison budget growth far exceeds education budget growth. Lack of education is, of course, one of the strongest factors in someone choosing a life of crime. It’s a vicious cycle.

Justice is not color blind. In 2009, rates of incarceration were: 706 of every 100,000 white males, 1,822 per 100,000 Hispanic males, and 4,749 per 100,000 of non-Hispanic black males.

In October 2010, there were 3,242 prisoners on death row in the U.S. Execution rates have been steadily dropping from their 1999 high (of 98 executions) because DNA evidence has been used to exonerate so many death row inmates and so the infallibility of convictions has been called into question. Still, 46 people were executed in 2010 and 25 so far in 2011.

Casey Anthony, however, was declared not guilty even of manslaughter in the death of her child this week. DNA and its representation on TV detective shows has apparently made people believe that a strong circumstantial case is never good enough. That this woman will go free while many people rot in jail for being caught with a little marijuana is incredible indeed. I do believe that the prosecution focused not enough on the fact that Caylee died under Casey’s care (implying gross negligence) when they chose to try to prove premeditation and get the death penalty. The death penalty is not a good idea, even when its distractions get someone off. Period.

For a long time, I believed, contrary to my general progressive liberalism, that there could conceivably be times when the death penalty was warranted. But after considering the racial prejudices apparent in the death row statistics, and those exonerated by DNA, and the fallibility of much eye-witness testimony, not to mention the high financial burden of death penalty appeals, I changed my mind. Ani DiFranco helped me do so with this song, “Crime for Crime.”

Information from the Center for Economic and Policy Research, the U.S. Bureau of Justice Statistics a and b, the U.S. Census Bureau, the Pew Charitable Trusts, the International Centre for Prison Studies, and the Death Penalty Information Center. There is some slight variation in numbers depending on exactly how counts are made and which prisoners are included (pre-trial vs. convicted, etc.)

Laughing ’til You Cry

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In the general run of my life, I no longer have a lot to cry about. I know now what and who are important to me, and I take care of those things and people at least fairly well. There is always plenty of room for improvement, and there is always plenty of stress, but I’m not in a mess as I often was in my twenties and thirties. I have mellowed, and life is good, as they say.

A couple of weeks ago, Bruce came home after a long day and week at the office. The usual Florida summer weather pattern was setting in, and the dark sky threatened. Bruce often arrives home exhausted by problems at work, and he stretched out on the bed to unwind for a few minutes. I propped myself on a pillow beside him.

Our conversation was desultory. It started with nothing much and ended back around in the same place. We kept wondering what to do with our Friday evening, one of the few we usually take off, but one for which we had no plans. We had both done a lot of running around that week, and, though we kept feeling as though we should do something, neither of us really wanted to. Before we could even begin to rally, the thunder and lightning began. The fat raindrops pelted the skylights and windows. We floated on the bed in a pool of cozy yellow light surrounded by violent wind and blackness.

“What should we do?” Bruce asked. “I can always just go out and get something and bring it back.” I knew he would make the valiant effort, but he sounded tired.

I got up to feed the kitties. He let me rattle in the kitchen, not noticing that I had conceived a plan. While the cats ate, I sliced up a nectarine and an apple, then some cheddar, Gouda, and rosemary goat cheese, and piled it all up on a plate. I brought it back to bed, and said, “Let’s just stay right here. We don’t have to do anything.”

Immediately, I could see the burden of entertainment and provisioning lift from Bruce’s face. We settled in for the evening, just reading, doing a crossword puzzle, playing Angry Birds on the iPad, and talking. The storm rumbled on and the rain pattered down. And we talked, as too often we don’t really have time to do. The room relaxed, and all evening the coziness of being there together with the world held at bay by the weather allowed all our usual irritations to give way to the sensation of closeness.

At one point, one of us mentioned the unsightly three bags of mulch that had sat at the end of our driveway for a year and a half. We were finally getting around to planting the gardenia that we’d been given for our wedding and that had languished for two years in its pot in spite of our best intentions, and we were glad the ugly bags would soon be gone. “No telling what’s underneath those bags by now,” I said.

“Probably your passport,” Bruce answered, referring to the fact that three days before we were supposed to leave for our honeymoon in the U.K., I had realized my passport was missing. There’d been a bit of an ordeal in getting a new one and joining Bruce in Scotland a day late for the start of our honeymoon. The fate of the lost passport remains a mystery.

We’ve had a lot on our plates the past three years–lost passports, brain hemorrhages, and other things–and all of that came pouring out in those moments of relaxation and silliness. I chuckled in response to the idea that the passport could be in one place we certainly hadn’t looked for it. … And then Bruce laughed, and then I started in, and then we couldn’t stop. My cheeks began to ache, and we kept on laughing. We laughed til both of us had to wipe away the tears.

As so often when you laugh til you cry, it was set off by something trivial and absurd, but it tapped into the fact that after the last few crazy years, we were having a lovely, cozy, quiet moment. The oxygen of laughter flooded us, and our bodies had this near-sexual release of laughing and crying at once. It was a great moment, even beautiful, though we won’t put it down in the annals as important.

I haven’t made a study of the phenomenon of laughing til you cry, and experts don’t know much about it. Most times it happens over something trivial and so people don’t remember the details. The specifics of its instances don’t stay with us the way traumas do. But I do think that it often involves the sense of intimacy and closeness that Bruce and I had the other day. It seems to involve a sense of protection from a world outside, the creation of a safe zone for silliness.

I remember only two other specific times laughing until I cried, though I know I have done it many other times, too. One was at a potluck Thanksgiving dinner held one year by my friend Umeeta. It was a gray and unwelcoming November day in Pennsylvania—the kind of weather that makes you want to stay under the covers. And it was a holiday weekend in an abandoned college town. I hardly knew any of the other people there—only Umeeta and, slightly, her girlfriend, Kim. Now I don’t even remember who the other people were. What I remember was that there were six or seven of us, all with the end-of-term hanging over our heads, and that we had a fabulous meal, with not only the traditional American fare, but a wonderful vegetable curry and dal that Umeeta had made. After dinner, we sat around the living room—mostly on the floor because they didn’t have a lot of furniture—and told funny Thanksgiving stories. Then Umeeta put on a Bollywood movie, a tale of frustrated love that rose to quite melodramatic heights. Umeeta has an infectious laugh, and she got us going. And we laughed and laughed until we were all hiccupping and the tears were streaming down our faces. Total strangers, but we had been brought close in that warm living room.

Not long after, when I was still in grad school, I remember laughing with my then-boyfriend, Tad. Tad and I liked each other a lot, but we probably already knew that we weren’t compatible long-term. We spent a lot of time at the house he shared with two roommates and many parties filled with people I mostly didn’t like. In that group, most everything was public, and they shared partners as well as too much information. Tad’s roommate had an ex-girlfriend, still “friend,” who called him every day as she sat naked in her bath and told him all about it. This group of people also probably knew Tad and I weren’t compatible, and they watched us as though we were a TV show, as though they owned Tad (a main character), and I was an interloper (a guest star). But when we would spend a weekend at my townhouse, away from prying eyes, Tad and I really enjoyed each other. Tad was smart and funny and accepting of human foibles, my own included.

One spring weekend, we found ourselves undressed in my second floor bedroom, though it was late in the morning. I loved that bedroom because there was a birch tree right outside the window and when the sun flowed through the leaves as they danced in the breeze, it lit up the bedroom like a flickering river. Tad and I sat on the rug on the floor, examining each other’s bodies, just playing. But when he got to my toes, he exclaimed over how funny my toenails are—little moon-like crescents, he said. My toes have always embarrassed me—they are short and stubby and not at all elegant. But Tad made that all okay—he enjoyed my funny little toes and their even funnier toenails. He sat running his fingers over them and laughing. How could I not laugh, too? We laughed until we gasped and sobbed. Finally, I slapped him on the behind and we went downstairs for some lunch, and I would send him on his way, back to his friends, my enemies.

So maybe there is something also about a sense of a break in the battle, so to speak, about finding a moment of peace and pleasure amid challenges and strife. In the laughter that makes us cry, there is some tension relief. For even now, as mellowed and generally happy as I am, I know that the devil will eventually come through the door again. Bruce and I laughed because he said something amusing, but we laughed til we cried because that humor came up in contrast to a life in which we are often too harried to share some fun. The salty can certainly intensify the sweet.

Here’s “Laugh Till You Cry, Live Till You Die” from the 1976 album Flow Motion by the German band Can.

It’s a Beautiful Day

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U2’s song is generally happy and upbeat, but it’s an example for me of how personal associations can account for at least part of the emotional attachments and reactions we have to songs. This song is one I heard a lot a few years ago in indoor cycling classes at the Y. I had recently moved to Florida and was in a new life over my head. I was being bullied at work and facing the truth about some less-than-ideal career choices. I was lonely in a strange city. But I was also still in a phase where I believed I could do anything I set myself to do. When “It’s a Beautiful Day” would come on toward the end of a spin class, I would sprint to the finish, strong.

So, with the encouragement of the greatest spin teacher in the world, a fellow who went by the nickname of Z, I decided I would train for an outdoor charity bike ride. Z’s business sponsored races, and he encouraged us to get out of the dark room and ride real bikes outdoors. I knew I couldn’t realistically race, but I could ride. So I signed up to do 50 miles for the American Diabetes Association’s Tour de Cure.

This was pretty momentous for me. Although I have always been active, I have never been athletic. I don’t believe I’ve ever competed in a sporting event. Oh, that’s not true. I won a red ribbon in a horse show once when I was twelve or thirteen. There are many people with Type 1 diabetes who do compete and who are athletic, but for me the illness itself was always enough of a physical challenge. I rode horses, I jogged, I walked, I hiked, I practiced yoga, I even lifted weights to stay in shape, but I never took it a step further.

Z inspired me to do so, and a couple of my indoor cycling pals signed up for the ride as well. One of my graduate students signed up. My old friend Sally, who is a real athlete, decided to come down from Maryland and ride with me. I “trained” for several months, which included many long weekend rides with my then-boyfriend, now-husband. It was a great time for me—all the support, the sense of accomplishing something new even though middle aged, the power of being fit, and the drawing attention to a good cause.

The day of the race dawned chilly and windy, and I was filled with doubts that I could do it. Who was I kidding? I was terrified of traffic, and this ride wound through country towns outside of Orlando, filled with barking dogs and intermittent traffic, stop lights and unclear turns. The people managing the race were completely uninterested in the fact that they had a diabetic riding for diabetes—and it was clear that most of the people riding did it for the riding not the cause and that it was a macho culture. Perhaps worst, the snacks provided along the way were cheap and disgusting—dry cookies and brown bananas—and I knew that I’d have low blood sugars.

But we all persevered. I nearly fell off the bike once at a stop light where I forgot my feet were clipped to the pedals. My blood sugar did reach a low point of 55, and I had to ride on, shaking and sucking on a juice box. And Sally decided that the 100 miles she’d signed up for were too much. But we all made it to the finish, where better snacks and massages awaited us. It was a triumphant day.

Unfortunately, within a few weeks I’d developed a painful condition called adhesive capsulitis or frozen shoulder. Months of medical mistreatment and long, sleepless nights of pain later, I was a walking zombie and as out of shape as I’d ever been. In the three years since, I have seen orthopedists, osteopaths, physical therapists, and medical massage therapists. And I finally found my way to swimming, which always helps loosen up my permanently stiff shoulders. I have continued to exercise, but only off and on, never as steadfastly as in my training phase.

So when I hear “It’s a Beautiful Day” now I am reminded of that great season in my life, but also that I no longer am there. Sometimes it makes me feel terribly old, as though I’ll never be in such good condition again. I can get a tear in my eye thinking about the regret implicit in “Don’t let it slip away” and the over-compensation in “What you don’t have, you don’t need it now, What you don’t know, you feel somehow.”

But I also get tears of determination in my eyes. One of the great things about Z as a teacher was that he recognized the challenges we each faced. To me, he would always say, “Roney, you’re an animal. You never give up.” And he would tell me that it wasn’t triumph that mattered, but coming back again and again even though I’m not the perfect athlete and never will be.

Gone for Good

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Morphine’s “Gone for Good” is the saddest little break-up song I think I’ve ever heard. The finality of it is so total.

I have to admit that the song doesn’t affect me quite as much now that I’m a happily married person. There’s a sting that is taken out of previous losses in the promise made between two people to stay together through thick and thin. Yet I think it wise to remember that kind of devastation and sorrow, even when we are happily married. None of us, even married people, are truly safe from potential loss of love.

Today is my second wedding anniversary. I waited a long time to get married at the age of 49. I went through numerous relationships that “Gone for Good” could be describing. In celebrating my marriage to my husband, I will remember them, at least for a moment, for a couple of reasons. First, to help me appreciate what I have now and to keep in mind the luck and perseverance it took to get here. And also to guard against the lack of attention that can allow even deep love to disappear. My happiness today is built on the understanding that I forged through all of those other people, now gone for good.

Little Green

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Some of the common wisdom about music’s ability to evoke emotions is that it’s highly associated with our personal lives. So, it has always been somewhat surprising to me how moved I’ve been over the years by Joni Mitchell’s “Little Green.” I’ve never had a baby, much less given one up for adoption. I suppose I have been left in the lurch by numerous “non-conformers,” but this song also gives us access to a more general sense of regret. There’s the inevitability of sorrow, even if there will also be crocuses, icicles, and birthday clothes. It demonstrates for me, too, the difficulty of social change and upheaval. We usually think of the sixties as this great time, but there were many forgotten individual traumas in all of that.

Joni Mitchell’s song is autobiographical–she gave a daughter up for adoption in 1965 before her career got off the ground. They were reunited in 1997.

I’m not going to outline all the possible comparisons between Joni Mitchell’s out-of-wedlock child and Casey Anthony’s. It’s perhaps grotesque just to mention them in the same post. But I suppose we now all wish that Caylee’s mother had put her up for adoption as she at one point told a friend she wanted to do. There are different kinds of griefs.

Weeping Willow

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Why do you weep, dear willow? Your branch it hangs so low.
Could it be you know a secret that other trees don’t know?

“Why Do You Weep Dear Willow,” written by Lynn Davis and Gona Blakenship, and recorded by the Carter Sisters and Chet Atkins in 1949, is a country-bluegrass ballad about a dead mother. It warns of the mistake of taking one’s mother’s love for granted. So, it seems appropriate coming right after Mother’s Day.

In the song, the willow, rooted to the ground and protective of the mother’s grave, understands things that the roaming child has missed. It always makes me think about lost relationships, not so much with my mother, as she’s too tenacious for that (!), but others who have gone missing in my life over the years.

It also makes me think about the relationship between knowledge and empathy. We often turn away from bad news because… well, we can, and it is often unpleasant. Sometimes the griefs of the world can seem overwhelming, and since Adam and Eve, we have had an ambivalent attitude about knowledge. Yet without it, we cannot connect to other humans for we cannot empathize.

It has often been pointed out to me that the music that I like tends toward the rough and ready, and I guess that has to do with my desire for the genuine, and it’s true that most packaged singers create in me not admiration, but revulsion. Still, I’ll get to the arias eventually.

Here’s an available version of “Why Do You Weep Dear Willow” by Carl Story and the Rambling Mountaineers. Be forewarned: this is hardcore bluegrass, and you shouldn’t listen unless you can abide the wailing. Sometimes, though, some wailing does the heart good.

Reclaimed Epithet

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The term “crybaby” is usually an insult. But over the past few months I have been thinking about the joys of crying, about my own desire for a full range of emotions in my life, about how maturity sometimes emphasizes control over sincerity. Our current cultural obsession with “happiness” also confuses us about how we really feel in any given moment. I don’t want to dis “happiness,” but it isn’t the whole story by itself, and it’s too easy to fake in a world where vulnerability is considered a sign of weakness and image too often is all that matters.

I am a child of the sixties and seventies, and I’d therefore like to begin with an anthem from Janis Joplin, who in this song invited her wayward lover to “Cry, Baby.” I also love this because the first comment notes that “They don’t sing like this anymore no… they got no soul… no heart… only managers with plans and contracts.”  Janis provides a symbol for my search in more than one way.