Author Archives: Lisa Roney

25 (More or Less) Sad Songs

This is the first post I’ve made on the Joyous Crybaby blog in close to a decade—but I knew I was letting it hang around for some reason. Today I have one, which is that my friend Lou Mindar posted his own 25 Saddest Songs list and asked for other such songs/lists. Not that I’m reviving Joyous Crybaby, but it seems like an easy place to make a kinda large list like this and it perfectly aligns with the Joyous Crybaby theme. Sad songs are, of course, sad, but they are also beautiful and beloved. Back in the day, I kept a page of Songs That Make US Cry, and many of these first appeared there.

I haven’t tried to put these in rank order, and I haven’t had time to write up the kind of thoughtful commentaries that Lou included in his list. Rather, I’ve treated these more like a play list, attempting at least a little to include contrasts and transitions and echoes through the list. Like an old mix tape, which it’s clear is my era. I’m self-conscious about how this list reflects that era and my age. I tried to fit in a couple of more recent things, but, really, they just weren’t as emotional for me. And it’s also true that I have not kept up with popular music much since about 2000, not because of a lack of interest so much as overwork and other stuff that goes with it. I’m trying to retrieve myself these days, so I do things like pause and make a sad songs list. Thanks to Lou for the inspiration.

This list goes slightly over 25—with two songs by Joe Jackson’s great double album Big World, two arias because I couldn’t decide which was sadder, and a couple of extras at the end, so really a total of 29 songs, all of which are more or less sad. I felt it important to include some angry-sad songs in addition to the wistful-sad ones, and, of course, sadness often carries at least a tinge of hope. A few other songs came really close but didn’t make it to this final list: REM’s “Everybody Hurts,” The Who’s “Behind Blue Eyes,” Melissa Etheridge’s “Breathe,” and Neil Young’s “Old Man.”

Enjoy! Weep!

1. Paradise

Written and performed by John Prine

2. Pretty Bird

Written by Hazel Dickens

Performed a capella by Hazel Dickens on the album Hazel & Alice [Gerrard]

3. The Boxer

Written by Paul Simon

Performed by Simon & Garfunkel

4. Love Has No Pride

Written by Eric Justin Kaz and Libby Titus

Performed by Bonnie Raitt

5. Rainy Night in Georgia

Written by Tony Joe White

Performed by Brook Benton

6. a. Shanghai Sky and 6. b. We Can’t Live Together

Written and performed by Joe Jackson

7. Eleanor Rigby

Written by Paul McCartney and John Lennon

Performed by The Beatles

8. Backwater Blues

Written and performed by Bessie Smith

9. Nocturne, B. 49: Lento con gran espressione in C-sharp minor

Written by Frederic Chopin

Performed by Janusz Olejniczak

10. Little Green

Written and performed by Joni Mitchell

11. Fast Car

Written and performed by Tracy Chapman

12. Death Song

Traditional song arranged and performed by R. Carlos Nakai

13. Redemption Song

Written and performed by Bob Marley

14. Wish You Were Here

Written by David Gilmour and Roger Waters

Performed by Pink Floyd

15. Asimbonanga (Mandela)

Written by Johnny Clegg

Performed by Johnny Clegg and Savuka

16. Crime for Crime

Written and performed by Ani DiFranco

17. Hang Down Your Head

Written by Tom Waits and Kathleen Brennan

Performed by Tom Waits

18. I Loved a Lass

Traditional arranged by Terry Cox, Bert Jansch, Jacqui McShee, John Renbourn, Danny Thompson

Performed by The Pentangle

19. Devil Song

Written and performed by Beth Orton

20. Killing Me Softly

Written by Charles Fox and Norman Gimbel

Performed by Roberta Flack

21. With or Without You

Written by Bono and U2

Performed by U2

22 a. and b. I could not choose which of these was sadder, so feel free to pick one or listen to both.

Un bel di (from Madame Butterfly)

Written by Giacomo Puccini

Performed by Leontyne Price and the Orchestra de Radio-Canada and Jacques Beaudry

Ebben? Ne andrò lontana (from La Wally)

Written by Alfredo Catalani

Performed by Angela Gheorghiu and the Royal Philharmonic Orchestra and Marco Armiliato

23. Mona Lisas and Mad Hatters

Written and performed by Elton John

24. Me and Bobby McGee

Written by Kris Kristofferson

Performed by Janis Joplin

25. Blowin’ in the Wind

Written by Bob Dylan

Performed by Bob Dylan

Performed by Peter, Paul, and Mary

26. Gone for Good

Written by Mark Sandman, Dana Colley, and Billy Conway

Performed by Morphine

PostScript. The Lark Ascending

Written by Ralph Vaughn-Williams

Performed by Hilary Hahn with the London Symphony Orchestra and Sir Colin Davis

The Ghosts of Halloweens Past

Kelly, Mom, and me at Halloween 1963?

Kelly, Mom, and me at Halloween 1963?

Yesterday was Halloween, and I had a great time looking at pics of people’s costumes on Facebook, though I didn’t dress up or go out myself. Halloween has never been a big part of my life–especially once I became a diabetic, the candy-laden aspects of it were hard to justify. I mostly didn’t want to be near it.

But Halloween is definitely one of those holidays that celebrates both the joys and sorrows of life. All by itself it provides a powerful commentary on the ways in which pleasure and pain link up.

I don’t remember too much about Halloweens. We have family pictures of my mom getting ready to take my brother and me out for what must have been my first trick or treating experience–I was a blonde toddler who hated the cute bunny mask and so wore it mainly around my neck on its elastic string. I don’t have any memory of my own of that evening, just the pictures.

But I do remember another year when I was about nine. That was before children past toddlers were supervised. Instead, we ran wild through the neighborhood, kids of all ages. Those were the days when a question remained in “Trick or treat?” Children had options for people who provided no treats, and they had options for each other. My memory is indistinct, but emotionally clear: I was terrified. I remember at one point traversing an area rampant with kids, most of whom were running full tilt and shrieking, as well as in costume. I remember not being sure who any of these kids were, even though I probably went to school with most of them. I stood still while chaos reigned around me. Then, a tall teenage boy in a vampire costume swooped out the darkness and walloped me, nearly knocking me over with the weight and force of his weapon. It was a long tube sock filled with flour and tied at the neck, I would later learn. When it hit me, I had no idea, just felt the wind leave my lungs and saw a puff of white powder evanesce, leaving a shadow across my chest. As I gasped for air, the boy made another pass by and bludgeoned me across the back. At that, I snapped back into motion of my own and ran toward a gaggle of kids my own age, maybe my friends. When I arrived in their midst, I was laughing, not understanding why, but laughing. The other kids took me in, one or two hugged me briefly, and off we went, laughing and squealing, safe together from the dangers of the night.

Years later, in my twenties, I attended a Halloween party held at the studio of a well known photographer in my town. For once in my life, I was at the coolest place to be in town, even if that town was only Knoxville, Tennessee. It was a great party, with a regionally famous band playing, an open bar, fabulous food, and extremely neat, all handmade costumes. I mean, people planned (and sewed) for this party, an annual tradition, for months ahead of time. One couple dressed up like a chef with a lobster pot and a lobster. One woman came as a peacock, complete with a tail made of real peacock feathers that she could open in a upward sweep that cleared half a room. My boyfriend and I went as Night and Day. For me, the coolest part was that, though I wore no mask at all, a golden wig and blue glitter face paint completely obscured my identity. No one knew who I was at all, and the pleasure of this fact stunned me. I said a few outrageous things.

A few years later, I reprised this phenomenon at a Halloween party put on by one of my MFA professors at the old four-story mill that he had turned into his home. I wore a Cruella DeVil wig (though Cruella is one of my all-time favorite characters in literature, I went as a zombie rather than Cruella) and painted my face completely, and no one knew who I was. Men, I had come to understand, really liked not knowing who a woman was. Never in my life had I been flirted with more.

I do also remember one earlier Halloween, when I was around age eleven or twelve, maybe thirteen, when my friend Karen N. and I dressed up as two parts of a horse. I was the horse’s ass, of course. We made the entire costume out of construction paper and tape, if I recall. Recently, I wrote a short story about Karen, a fictionalized version of what I came to believe was abuse going on in her home. Maybe that is why I have these memories of Halloween on my mind. I lost touch with Karen decades ago and have not given her much thought since, but suddenly last month a few memories of her came back to me, filled with pleasure about the brief girlhood friendship I had with her and with fear about the vague suspicions I had then but didn’t know how to articulate or do anything about.

Then yesterday an old boyfriend got in touch via email. Probably it had been eight years or more since we’d been in touch (and twenty since we were “involved”). No romance remains between us, just a (mostly theoretical) dedication to wishing each other well and valuing the acutely mixed time we spent together so many years ago. Yes, there were some very bad and painful times, but there were some peak times as well. I mostly dwell on the latter, but perhaps what makes them stand out so much is the contrast between them and the extreme pain we caused each other. Yes, I ran from that and other painful relationships, like I ran from the brutal flour-filled sock that Halloween forty years ago, and I arrived here, where I am today, laughing. Not knowing exactly why or how, but laughing, joyous to be alive and embraced by those who give me shelter of all kinds.

P.S. First blog post in nearly a year, I know. The textbook is done, though it remains overly optimistic for me to think I might get back to Joyous Crybaby regularly. Still, the theme still moves me.

Gold Coast

“Gold Coast” is a poem that is part of a chapbook I will have coming out from Finishing Line Press in March 2014. The following video features me reading the poem alongside a variety of photos from places around the world. The pictures are not literally connected to the poem content, but are meant to celebrate the beauty of decay and destruction, on one hand, and regeneration and forgiveness, on the other. I am far more grateful for this rhythm of the ups and downs in life than I am for any material objects. Most of all, of course, I am grateful for all the wonderful people in my life, for the opportunity to see all these extraordinary places, and for all the second chances I’ve had.

Happy Thanksgiving!

The Best Possible Bad Luck is available for pre-order from Finishing Line Press from November 25, 2013 to January 10, 2014. Pre-order here.

John King Gets Interviewed!

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John King, host of the Drunken Odyssey podcast.

John King, host of the Drunken Odyssey podcast.

I have been AWOL for too long now. My apologies, but the Oxford book is nearing the end of first draft. It will be done by Monday. In celebration, I bring you an interview with my friend and colleague John King, who wrote a guest post for this blog last year. John has stuck with his wonderful Drunken Odyssey podcast more faithfully than I have stuck with Joyous Crybaby these last months, having achieved interviews with Martin Amis, David Sedaris, and Cheryl Strayed, as well as with many local and newbie writers.

The Drunken Odyssey: A Podcast About the Writing Life

John King on Eunoia Solstice

Empty Cans in storySouth

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Sweet potatoes. Photo by Vmenko on Wikimedia Commons.

Sweet potatoes. Photo by Vmenko on Wikimedia Commons.

I’ve been a bad blogger lately (“Bad blogger! Go home!” as we say to all strays.) But I just had this essay, “Empty Cans,” come out in storySouth, so thought I would share that.

It’s also inspired a few thoughts on writing process.

First, sometimes you need some help. A year or so ago, I attended a wonderful writing retreat at Vermont College of Fine Arts. I got some feedback on my writing about getting married after the age of 49 (for the first time)–to whit, that I needed to take my subject more seriously. I hadn’t realized that I had been trivializing my own subject matter in the back of my head. Who could write seriously about mid-life marriage? Or about marriage at all? Of course, I know that people have and do, but there was still something of the Ladies Home Journal hanging over the idea. Since then, I have been working to deepen my approach and to extend it to my larger family history. This piece is part of that work.

Some of this material has had previous rough-draft runs on this blog, where facts have been questioned by some of my (family) readers. That’s been one of the great things about trying to blog less than superficially–to at least make some stab at literariness even in the genre known for skimming and ranting. No evaluations there, just a nod to my brother’s wisdom when he told me I should think of everything on my blog as a rough draft. Hard for me to allow everyone to see, but useful nonetheless.

Even though I have been away in textbook-writing land, I also find it still important to make my own creative forays. The textbook has been demanding in a whole different way, and I find that my sanity still depends on my connection to word, image, and narrative. I find that there’s a lot of posturing about the mysteries of being a writer, but one thing I do believe is that writers write more than they promote themselves, more than they pontificate about writing, more than they adopt the pose. That doesn’t mean that every writer writes every day (that’s another pose, though it’s great if you can manage it). And it doesn’t mean that every writer writes for fame or publication (though every writer perhaps wants them at least a little bit). It just means we write–to make sense of our world, to make sense of ourselves, to make sense of others. To us there’s no other way.

The Lumineers for the New Year

As the new year approaches, it’s a time to pause and reflect on the past while simultaneously looking forward with some kind of hope and optimism. We all hope that in the next year we’ll get to all the things we’ve not managed to do in the past year, yet we also try to appreciate the good things that have befallen us and the difficulties we’ve gotten through. There’s a weird mix of looking back and looking ahead. Prime time for the complex mixture of joy and sorrow that this blog explores.

So, for my year-end, year-beginning musical offering, I give you The Lumineers’ “Stubborn Love.”

The Lumineers have been playing together eight or so years, but have just had their first (rather large) commercial successes in the past year with the release of their first album and two Grammys. They have a lot to look forward to, but, as they expressed in this Rolling Stone interview, they’re aware of the dangers in that. To me, they are young and “new,” but they also have a bit of maturity and nostalgia in their tone. And there’s nothing like a touch of the strings to bring a bit of melancholy to the fore.

I picked “Stubborn Love” for a couple of reasons. The song notes that “It’s better to feel pain than nothing at all,” certainly one of my themes, but also speaks to the need to “Keep your head up, keep your love.” This last is a mantra I can embrace.

And I don’t just mean romantically. We give way too little credence and attention to other kinds of love—family and friendship. I’ve been feeling very nostalgic lately about all the friends I seldom see, and in fact may never see again. Facebook is fun in that it keeps us all marginally connected, but sometimes I have to ponder that if there’s someone I haven’t seen in twenty or thirty years, will I ever again?

Here’s hoping we all get to see those people again sometime. And that 2013 is a very good year.

And here’s a terrific 30-minute live session with The Lumineers that also ends in “Stubborn Love” but contains a wider selection. If you have the time, of course, spend a little of it listening to this and remembering all the loves that stubbornly persist.

P.S. The Lumineers have their own website, but there seems to be some problem with it today. Check it out another time. Or connect via The Lumineers amazon page.

Teachers and Students and Killers

at sign AROBAZE

Yesterday, a colleague of mine received a disturbing email from a man who had been urgently interested in enrolling in UCF’s MFA program. In her role as advisor to our current MFA students, she’d been providing him information about our program and advice about applying to it. I had also exchanged a few emails with him, as he was determined to enroll in a course I’m teaching in the spring semester.

The issue is that this fellow wanted to take a graduate course in creative nonfiction this spring. We do sometimes allow “nondegree” students to take our grad courses when there is space in them and they can demonstrate sufficient knowledge and background to work at the graduate level.

However, this person had the odd idea that if he took one such course, he would somehow qualify to get a tenure-earning job in creative nonfiction writing that is currently open at an area college. Now, I’m not at that college, but I know a bit about how these things go, and, of course, that’s probably not going to happen no matter how brilliant this man might be. In fact, over at that college, a pile probably two feet high is already accumulating with applications from across the country—from people who already have MFAs and PhDs, publications in the field, even books, and time spent teaching writing at the college level. In spite of clearly being an intelligent man with two advanced degrees already, this guy has none of that. I told him that one graduate course would not likely qualify him for this job.

He also didn’t seem to fully understand what creative nonfiction is, needless to say a serious deterrent to gaining a job in the area. My colleague had given him a few copies of The Florida Review so he could read some examples, and when he emailed me to request entry into my course, he sent me a manuscript that seemed entirely fictional, though perhaps heavily autobiographical. When I noted this to him, he argued, and told me that if Tim O’Brien is considered to be writing creative nonfiction, then so is he. I responded that most of O’Brien’s work is considered fiction. Perhaps I should have added, “as is noted on the ISBN page of each of his recent books.”

Eventually, after numerous emails where he was told that a) a committee has to meet to make admissions decisions, b) we only consider applications in the spring term for admission in the fall, c) my course is full and we won’t crowd a class for a nondegree student, and d) we can’t make exceptions, even for him, he became enraged.

In the email he sent my colleague, he noted that he had made it “crystal clear” that he “needed to begin in Spring. … I told you that this was the passage to the teaching job at [x college]. Otherwise, I wouldn’t be caught dead in the creative writing program at UCF.” He went on to add, among other insults (“inconceivable lack of competence”) and threats (“letter for your permanent file”), that “I have had the benefit of more and better education than you or anyone in your department and I was treated like an ugly stepchild. So,” he added, “take your stupid MFA and shove it up your ass.”

Amish schoolhouse, Lancaster, Pennsylvania.

Amish schoolhouse, Lancaster, Pennsylvania.

In the wake of the Connecticut shooting just a few days before, this man’s email gave me a gooey knot in the pit of my stomach. After I read it and tried to comfort my upset colleague via email, I went back into the living room where my husband was watching the latest Batman movie, and said, “Maybe you should give me a bullet-proof vest for Christmas.”

I don’t mean to accuse this particular man of murderous intentions. Perhaps, in fact, those who take advantage of language to vent their spleen are less likely to do it with weapons.

Maybe it made me queasy because I regularly teach Jo Ann Beard’s powerful essay, “The Fourth State of Matter,” which chronicles the 1991 mass murder of five at the University of Iowa by a graduate student who felt he hadn’t been properly honored for his work. Perhaps it is because the shooter at Virginia Tech in 2007 was a creative writing student. Or that in 1996, while I was a graduate student at Penn State, a rare female shooter (and not a student) set out to massacre as many as she could on campus; fortunately, she didn’t have an automatic weapon, and her having to pause to reload allowed a young man to disarm her before she could kill more than 1 and injure another.

There’s also the fact that in 1989 when Marc Lépine singled out and killed 14 women at the École Polytechnique in Montreal, just because they were women who dared to study engineering, I was beginning to contemplate a teaching career. And that, although I had never driven past the particular Amish schoolhouse in Lancaster County where in 2006 a truck driver went in and lined up the girls (not the boys), shooting 11, killing 5, and leaving 1 severely disabled, I had frequently driven past several such schoolhouses on my trips back and forth between State College and Lewisburg in the couple of years before I moved to Florida.

It’s not that only teachers and professors or only females are targeted in these attacks, though often they are the focus of rage. Sometimes men and boys are killed, sometimes it is even disgruntled professors who do the killing, as in the cases of the University of Alabama in 2010 and Concordia University in 1992. It’s not even as though all such shootings happen at schools—they happen at movie theaters, at houses of worship, at other kinds of places of employment.

668px-Gnu_teacher.svg

Still, teachers at all levels from elementary school to university graduate programs sustain irrational and unhinged attacks of all kinds. Usually, we take this verbal kind with a grain of salt because it happens so frequently.

We are seen as—and sometimes actually are—the keepers of the keys. We give grades and report cards, we evaluate other human beings, we determine who passes to the next level and who has to try again, we decide sometimes that a child or an adult doesn’t merit a degree or a certification or a diploma. There’s room for a lot of resentment about that, even though most of us go into our careers in order to foster learning and help people make the most of their lives.

Most of the time, we do help people make the most of their lives. This man’s email juxtaposes itself against the backdrop of physical violence in Connecticut, but also against the background of my own preparations this week as I produce a binder to apply for a teaching award. In front of me I have all the notes of thanks, all the end-of-term reflections and finished projects that show how much my students have indeed learned, the list of my undergrads who have gone on to prestigious graduate programs elsewhere. That is good and satisfying. I hang on to that.

Self-Esteem Shop photographed by Dave Hogg, Royal Oak, Michigan, 2005.

Self-Esteem Shop photographed by Dave Hogg, Royal Oak, Michigan, 2005.

The experts say that there has been no significant rise in the number of such rampage killings in the past decade.

Yet, I do sense changes, if not in the threat of death, then in the general demeanor and respect of my students and others I encounter in my work world. It’s not that I didn’t ever encounter over-demanding or angry students at the beginning of my career. Perhaps it’s just that I’m getting older and wish I got concomitantly more respect. Or maybe it’s just that behavioral paradigms are shifting to something more casual. Or that people all around are stressed by the struggling economy. Maybe it’s also that in the world of writing (and so many other realms), we are now all expected to be hucksters and self-promoters as much as contemplators and wordsmiths (or whatever work we do). All of this might be tending to make people more aggressive. There’s a sea of mud between healthy self-assertion and self-aggrandizing aggression.

Maybe it has to do with the self-esteem movement introduced into our schools and our society with great intentions back in the 1960s and reaching a peak in the 1980s. Like so many perfectly legitimate ideas—that it was important to encourage children and support their dreams—perhaps the self-esteem movement filtered down in an over-simplified way and got twisted. It got twisted into crap like The Secret and the whole idea that if you just want it bad enough you can have it.

This kind of attitude is often prevalent with my students, even some of the wonderful ones. They are certainly never afraid to ask for what they want, to demand it even. No matter that my syllabus states that 8 absences will earn an F for my course, students expect to pass. No matter that the assignment requires 12 to 15 pages, and they only turned in 6—if they “tried hard” and it was “difficult for me to write about this,” they think their grade should be fine. I had one student this semester who had missed numerous classes, had turned in 1 out of 9 smaller homework assignments, had failed to participate in most of the workshops, and whose own writing had earned her Cs… who came up to me the last week and told me she hoped she could still earn a B.

I won’t even bore you with the web of negotiations between myself and a stunningly talented young man who nonetheless earned a C in my class due to his inability to complete work or manage his time. Flattery? Manipulation? Sincere desperation? Promises of improvement? It was all there, just not the work.

More recently, a graduate student, reportedly a hard-working and lovely person (I have only met her once myself), informed me that she only checks email every few days so that if I want to reach her on short notice, I should use Facebook or Twitter. Since when is it up to a student to define the method of communication between herself and her professor? Since when is it part of my job to explain such basics? This kind of control-taking is noticeably more common among my students today than it was more than twenty years ago when I began teaching as a youthful 30-year-old.

Fortunately, none of these students is threatening. But, still, something is not adding up.

Violence_theme

Unfortunately, I can’t get it out of my head that this all somehow correlates with the rise of fantasy genres and the amount of time people spend in fantasy worlds, whether they are in book, movie, video game, or Internet chat room variety, even the uber-cheerful Facebook presentations that people make of themselves. I have environmental concerns about this, which I plan to discuss in a later post, but I worry about human expectations these days, too. I worry that we are making a world that is in reality intolerable and so people turn more and more to fantasy.

My students tell me this repeatedly. They are bored and stressed at the same time. They prefer escape to self-examination. They prefer to spend some time in a world, no matter how evanescent, where they can be heroic and romantic and good-looking and successful, often things they don’t feel like they are in daily life. But I can’t help but believe that we are all affected by where and how and in what modes we spend our time. We come back from these virtual worlds, but I’m not sure our expectations come back with us. And the virtual worlds grow more and more convincing.

In the past week, there has been plenty of talk about “evil.” Even President Obama evoked evil when speaking of the shooting in Connecticut. Yet, I don’t believe that shooter was evil, even if his act was. He suffered from some deep mental illness and desperation, the likes of which we see over and over in these cases.

Plenty of others have already written about the need for better gun control laws—assault weapons simply have no rationale for being readily available except for crime and gun-industry profits. While it is true that we will never prevent people from rampaging if they are determined to do so, the difference between a knife or a manually loaded rifle, on the one hand, and, on the other, an automatic assault weapon is huge in terms of the amount of death someone can inflict.

Plenty of others have written about the need for a better armed and better prepared set of first responders. We certainly have that, increasingly, and it has had little effect. It’s too late by the time they arrive. Here in Orlando, the nightly news has been filled with discussion of appointing an armed security guard at each and every school. I consider that a terrible idea for many reasons—the atmosphere for students, the inculcation of constant fear, the dangerous presence of potentially misused weapons, the need for that money to be spent on instruction, and pure ineffectuality.

Plenty of others have argued passionately that we need to care for our mentally ill better—we need to remove stigmas for early care, be watchful for early signs, provide the financial resources for such care, and provide facilities other than prisons for the mentally ill. Here, here. This is a massively complex issue, of course—de-institutionalization began as part of the Civil Rights era when it was recognized that this broad category of people didn’t always deserve to be locked up out of sight, that we might need to learn to deal with some kinds of mental difference. But support services for the mentally ill certainly need more attention, and families living with those who are showing signs of violence and major disturbance need better options.

Some have even written that we need to work against the culture of violence we have in the United States. How to do that is the question. Do we ban violence in our books, TV shows, movies, video games? Do we try to educate children about the consequences? Do we try to change our own behaviors when we speak with others? There’s a lot of blame that goes around for the culture of violence.

But this is what I have to add: It is violence in the context of fantasy that is the problem (maybe even only certain kinds of disconnected fantasy). I’m not even saying that we should ban these video games, absolutely not—I am not offering prescriptions or proscriptions—but when children and adults spend so much time shooting others, massacring others, without the consequences, and when they spend time communicating at so much further than arm’s length even with the real people they know or sorta know, then I believe something comes loose in the minds of those people. Some depictions of violence actually sensitize people to its effects. But not if those depictions exist in a fairyland where dead people return to life, where humans are monsters and monsters are human, where we spend the bulk of our time with characters and in scenarios that are designed to fulfill our most childish egotistical desires. Too often, when that is the frame of reference, disappointments in the real world then become a devastating source of rage.

I question myself on this—after all, I would never say that reading Alice in Wonderland or The Hundred and One Dalmatians or Tolkien ruined my sense of reality. And plenty of perfectly peaceable people have been fantasizing for a long, long time. In fact, I’m a great supporter of the imagination and love it in all its many varied forms. I believe that humans can work out significant issues in the realm of fantasy. Also, I have no evidence that any of the killers mentioned here deeply embedded themselves in fantasy worlds, and their type has been around since long before the electronic versions of such fantasies.

So, what the heck do I mean? Maybe it has to do with the fact that reality and fantasy are merging. I’m not really sure. I always hope that you, my readers, can help me reflect on such things. It’s just that I have a creeping sensation that a whole host of unrealistic expectations contribute to a culture in which psychic violence and aggression seem to me to be on the rise even if physical massacre is not. And I believe strongly that this is about culture as much as it is about mentally ill individuals.

Really, I’m on tenuous ground here, and I admit it. I’m only at the stage of associations crisscrossing my mind. What do you think? What images, memories, associations, and seemingly free-floating concerns have been on your mind since December 14?

L'ange de mort, 1919, by Carlos Schwabe.

L’ange de mort, 1919, by Carlos Schwabe.

The Paperwork of Loss

My paperwork-overloaded desk, with the green animal license cards.

We all encounter it: the paperwork required to lead a contemporary life. In fact, from the moment we are born, we are subject to paperwork—birth certificates, vaccination records, report cards, drivers licenses. By the time we turn 16 and encounter the DMV, we are thoroughly immersed in bureaucracy. Now that I’m in my 50s, and working at a public university as a state employee, I’m sometimes so overwhelmed by it all that I feel there’s time for little else in work or personal life. (I started to list all the adult forms, but it was so long and boring a list that I just deleted it. You know what I’m talking about.)

Most of all of this paperwork is just deadening. Sometimes, however, it actually connects in poignant ways to what’s important to us.

Last week, I received in the mail three bright green “courtesy” notices that it’s time to pay my Seminole County Animal Licensing fees. I don’t mind paying these modest fees. They go toward supporting Animal Services in my county, and though I’m sure they euthanize far more animals than I’d like, I do support their work in keeping animals from dying on the streets. Even getting these little cards reminds people that they need to vaccinate their pets and be responsible pet owners. The fee is lower when your pet is spayed or neutered. In these ways, they function as an educational tool as well as a tax on pet owners.

This time, of course, I have to send one back with the box checked off that the “Pet is deceased.” Little Cameo is no longer, and the green card with her name stamped on it will go back without a fee.

My grandfather at McFerrin School, c. 1908 or 1909.

Perhaps because it’s November again, this has reminded me of the months after my grandfather died on November 2, 1972. My mother, of course, was the main one in our household dealing with the practical implications of her father’s death, as well as the emotional ones. These must have been enormous. My mother was closer geographically than her two siblings to her parents’ home, but was nonetheless more than 400 miles across the state of Tennessee, and her mother had grown fragile and fractious and was soon to enter into nursing-home-land. My mother filed changes of address on numerous accounts from their house to our house, so she could make sure that nothing slipped between the cracks. My grandfather had been in the hospital for several weeks, and the lengthy and incomprehensible medical bills kept coming. Other bills had to be paid. The estate had to be settled.

What I remember about this is that we kept on receiving relentless communiques sent to my grandfather months and months after his death. My mother handled the important ones, but somehow I took it upon myself to help handle the subscriptions and other minor stuff. My grandfather had been an avid reader—Newsweek, Life, Look, American Heritage, Smithsonian, The Saturday Evening Post, Reader’s Digest, Forbes. The list was large, and these companies kept sending renewal notices relentlessly, long after we had canceled the subscriptions.

Today, of course, I understand that in those times removing someone’s name from a subscription list might take time. No instantaneous computer could make him disappear off the rolls at the touch of one button by one employee. In some ways perhaps we should have taken comfort in this echo of my grandfather’s life, at the difficulty in purging someone from the world. However, it just seemed to us like torture.

I remember the day about eight months after his death when an envelope arrived in the mail from one of these magazines—fortunately, I don’t remember which one. The envelope was thick, not the usual postcard, and I wondered momentarily as I took it out of the mailbox at the end of the driveway if they’d sent an apology for harassing us every week for all these months even though I had sent numerous handwritten notes explaining that Paul Meek had passed on and would not be renewing his subscription. (This was a time when we were far less used to just dumping whole loads of mail in the recycle bin.)

Instead, the letter started off, “Dear Paul,” and went on with the most maudlin and begging kind of diatribe—how he had been such a long-time subscriber that they just couldn’t understand his betrayal now. How if they had done anything to displease him in the pages of their magazine, they hoped to make up for it with the fabulous new content slated for the coming months. How if he continued to care about his own standing in the world based on the insights this magazine gave him, then he would surely re-subscribe NOW! They allowed as how they wouldn’t raise the rates, even though they had the perfect right to do so because he’d let his subscription lapse. This went on for bpth sides of 2 solid, single-spaced pages with red ink used here and there for emphasis. Then came the clincher: They just couldn’t stand to lose someone who had been a member of their x-publication family for so many years!

My little 13-year-old head didn’t exactly explode, but the use of the word family evoked in me a bitter sarcasm about commercial enterprises who made grandiose, even delusional claims to try to guilt people into continuing to buy their products. I envisioned the pained look that crossed my mother’s face every time she took in a pile of this exhausting mail. By now I myself had burdened her further with my two broken bones and a diagnosis of diabetes. In fact, my grandfather’s actual family had enough to deal with and was getting pretty tired of this crap.

I decided that afternoon that hand-written notes would no longer do, and I sat down with my mother’s typewriter. “To Whom It May Concern,” I typed for the first time in my life (though I have typed it many times since then), “my true family has been writing to you for months to explain my lack of desire to renew my subscription to your magazine. Their missives have been ignored, and you continue to bother them, so I now take it upon myself to write you.”

I paused. Then I pressed the keys once more, click-clack, with the tears bulging but not spilling from my eyes.

“I am dead,” I wrote, “and unless you deliver to heaven, nothing you publish will reach me. You are not my family, and I wish you would quit bothering my family. While not on the pages of your magazine, this constant sales harassment is offensive, and none of them will be subscribing.”

Wondering if I were breaking the law and feeling like a rebellious crusader, I signed my grandfather’s name with a childish, girly flourish, and then folded it neatly into the automatic-return, no-postage-required envelope and put this letter out for the mailman. I don’t think I even told my mother about it.

Though I’m relatively sure now that my letter had nothing to do with it, that we had just reached the end of the natural life course of their pleas, we indeed never heard from x-publication again. I patrolled the mailbox for weeks as though I were anticipating a secret love-letter, making sure, feeling vindicated, hoping that someone had been at least embarrassed.

My grandfather with my brother and me, about 1963.

Nowadays, receiving the green card with Cameo’s name on it, I feel a little differently. First, of course, Seminole County will not be sending me missives for months—they provide a check-box for just such circumstances as a regular part of pet ownership. And SC is not a commercial enterprise, so there’s not a matter of them trying to get someone, anyone to just write them a check whether or not there’s anyone there.

It’s also true that I will be printing out a form from the Internet and filling it out and attaching a fee for a new little cat, the pesky Paka, who has since attached herself to our household. The life cycle is shorter with pets, and we are perhaps more prepared for their loss and their replacement. There is no replacing your grandfather, but while no two pets are ever the same, new ones appear to fill the gaps the gone ones leave behind.

Perhaps it was getting the reminder cards, but yesterday I took up all the cat beds in the house and washed and dried and re-arranged them. A couple of these beds had been used primarily by Cammie in the last weeks of her life, and the other cats haven’t touched them since. They have sat empty in Cammie’s favorite spots, reminding us of her absence. This weekend, I felt ready to have them used by other cats. We’ll see if the other cats are ready, or if they would rather they could send me a letter to the effect that she’s gone and I should get rid of her things.

I’ll try to pay better attention than a bureaucracy would.

Thoughts About Roxanne

Last night on the way home through the dark after an evening errand, as Bruce and I sped along the 417, Cream’s “Crossroads” came on the radio. Instantly, I had a craving to listen to some John Mayall. This kinda surprised me, since I was vaguely aware that Mayall was not part of Cream, which consisted of Eric Clapton, Jack Bruce, and Ginger Baker.

When I got home, though, and looked up all that past music history, I found that Eric Clapton and John Mayall had indeed spent plenty of time playing together in roughly that same time period. I should not have been the least bit surprised at the resonance between their styles.

It’s odd, though, how one musician becomes a classic icon, as Clapton has, and another plays on in relative obscurity. Of course, that obscurity is relative—as it turns out, Mayall is still touring in Europe and the U.S. and has put out 40 albums since The Turning Point (1969) that burst into my mind last night. In addition, he’s put out several limited-release recordings of live performances, the most recent in 2011. Certainly anyone following the blues will have heard of John Mayall.

Perhaps his most famous song, “Room to Move,” with his hallmark harmonica-playing, is also from The Turning Point, but the one that I always remember is the sexy, patient, subversive, pensive “Thoughts About Roxanne.” Also from The Turning Point is “The Laws Must Change,” which I include here, too, and which also features the harmonica. Mayall’s was a protest song about Civil Rights, but it’s interesting that this past week we had some shifts in laws, too—legalizing recreational marijuana use in two states (Colorado and Washington) and gay marriage in three more states (Maine, Maryland, and Washington).

You can listen to “Room to Move,” or a whole host of other samples on Mayall’s own listen page (scroll down; for some reason, the top of the page is just black).

How Can We Work Together?

Photo courtesy of Fir0002/Flagstaffotos

The presidential election is over, and one of my enormous stressors has gone with it. We are all relieved, whether our candidate won or not, though I’m sure those of us who supported President Obama are more relieved than Romney-ites. Even now that the election is past, however, there’s been a lot of talk about the “two Americas” we now live in, how divided we remain.

I have searched my mind for a way to extend an olive branch to the many people I know and care about who don’t see eye to eye with me on politics—or who don’t seem to look even in the same direction. While I continue to think very ill of those in power in the Republican Party, and while I do believe that there are many in it who are out-and-out bigots of various sorts, I also know some people who are not this way. It’s hard for me to understand them, but I wish we could find ways to come together somehow. Naïve, perhaps, but sometimes our most naïve hopes are the most necessary.

What I want to say right now to anyone who might have voted for Romney is this: Take heart. No, not because the House remains largely Republican and grid-lock remains a real possibility. Take heart because the Dems’ goal is not to personally harm you.

* You will still benefit from the economic recovery underway now due to changes in policy introduced under the Obama administration.

* You will still be able to worship as you see fit.

* You will still be able to counsel pregnant women. You will still be able to adopt children that might otherwise be unwanted or born to those unable to care for them.

* You will still be able to rest assured that should you develop a chronic health condition (such as the diabetes that I’ve had since age 11), you’ll be able to get or keep health insurance and receive the care that you need all the more.

* You will still be able to hope for a secure retirement through the continued existence of Social Security and Medicare. No one will be expecting you to become your own investment expert or to risk the security of your elder years on vouchers.

* In the next election, the Democrats will still be trying to convince you that their policies are better for the nation than Republican ones, but no one will be trying to keep you from voting based on your demographic profile.

* You will still be able to marry whoever you want to marry. And to divorce legally should you desire to do so, no matter your religion, even though that’s frowned upon in the Bible and by the Pope and many other religions. You’ll still have the ability to remain in a less-than-happy marriage should you so choose.

* You will still be able to join the military and serve our country and receive opportunities for high-level technical training that may support you after you leave the military. You won’t be thrown out of the military because of who you love.

* Even so, you will likely benefit from a foreign policy based on diplomacy that is more likely to keep us out of wars that you or your children or your neighbors would otherwise have to fight and our taxes would have to pay for. You will benefit from the extraction of the U.S. from its current involvements in war where that is possible. You will still be able to welcome our soldiers home, as more of them finally come home.

* Your children will still have educational opportunities that, while not equal across the board by any means, will be supported as a right and need of our citizenry. You will be likely to continue to receive correct change in your transactions at the grocery store because the young man or woman working there will more likely have received well-funded schooling and something to eat to fuel his or her brain for learning when a developing child.

* You might even still have the opportunity to hear a symphony or view great works of art or receive in-depth information through NPR or PBS or work supported by the NEH, NEH, and NIH.

* You will still have access to some of the most reasonably priced, safest, and cleanest publically provided water in the world.

* You will still benefit from all the clean-air, clean-water, and other environmental regulations that protect our basic health and protect the future of our planet. You will benefit from clean energy policies that will combat the global warming that endangers us all.

* And when disaster strikes, FEMA will be there to make sure that you get help as soon as possible in a nationally coordinated effort. FEMA will not be privatized into some crazy quilt of corporations worried about making a profit on your misfortune.

We will keep taking care of you. The thing is that more of the rest of us will be more likely to be taken care of, too.

Democrats aren’t interested in taking anything away from most American citizens (though perhaps some more tax money from the wealthiest). We are interested in making sure that we all have basic care and opportunities. That even includes you, even though you might not return all of us the favor if you had won.

Yesterday, as I did my brief volunteer stint at the Obama volunteer coordination office in Casselberry, I really enjoyed myself. Because of my arthritic foot, I no longer feel it possible to torture myself with canvassing (which I have found utterly depleting when I’ve done it in the past), so I was doing data updates, keeping the various files organized, helping prep and send out the canvassers, providing snacks and water bottles, and generally helping out around the office.

As I greeted returning canvassers, I was touched by the reports from the field. We had men and women who came back from neighborhoods with stories of residents who had hugged them and thanked them for still being out there getting the vote out. I knew that my own brother still pounded the pavement in Massachusetts, working hard to re-elect State Representative Carolyn Dykema and helping to support Elizabeth Warren in her senatorial bid. My brother has been passionate about politics for as long as I can remember, and he’s an inspiration to me in his ability to withstand the confrontational nature of it all. I hoped that he was getting as friendly a reception in his last-minute forays as our volunteers were in Orlando.

My father before him maintained long years of involvement in politics—I remember him working at the polls in South Knox County back in Tennessee all those years ago. I remember him working long hours and coming home exhausted. At first I didn’t understand why he felt compelled to do it. But he provided a great example for my brother and me—we both find our ways to participate and to care about the future of our country. Everyone in my family has always felt compelled to understand the issues and to vote at the very least.

Late in the afternoon, I went to drive one voter to the polls who’d had knee surgery and couldn’t get there on her own. She was a funny lady—she was perhaps 65 years old, but it was hard to tell because her face had been altered by too many cosmetic surgeries and her hair dyed a brassy blonde. She was dressed to the nines to make the short foray around the corner to the polling station and had managed to pull on high-heeled black boots. I teased her that they might not be good for her knee as she limped into line, and we hoped together it wouldn’t be too long. With me in my jeans and sneakers, my hair in a frazzled mess, we couldn’t have looked more different. There was one car in her driveway and another sitting on the front lawn, but she told me that her roommate’s car wasn’t working and she didn’t want him to drive hers. The lawn had turned scrubby and long spikes grew up around one car’s wheels. I thought about all the tensions in her life and her dedication nonetheless to voting, and to voting for a candidate who respects the middle-class and the diversity of our country. At least superficially, it didn’t look as though we had much else in common, but we had that. (Well, maybe our poor yard care, too.)

When I got back from this errand, I stood in the office doorway watching the hub-bub and suddenly felt moved by what had surrounded me all day. I tried to imagine the same excitement and camaraderie at the Romney headquarters, and I knew it would be missing a crucial ingredient for me, even if I believed somehow in Romney’s policies (which I don’t). We’ve all seen the photos—at the convention, at the various rallies, at the headquarters around the country, at the concession speech—and The Daily Show has long ago made fun of this—but the uniformity of Romney supporters always stuns me nonetheless.

On the other hand, as I stood in the doorway of the Casselberry Obama office, I felt like a citizen of a great nation built on diversity, built on multiple backgrounds and a celebration of this broad range of humanity. Even in this single small office, we had volunteers young and old, white, Latina and Latino, African-American, East Indian, and various other shades of the human rainbow. We had one lady who swooped in in her Mercedes and others, like me, who showed up in ordinary or beat-up old cars. One woman came without a car at all, and I drove her over to a nearby neighborhood to canvas on foot. One woman sported a large “LGBT Community for Obama” pin on her T-shirt. An older black gentleman loaded provisions to take to those standing in the long lines expected after five p.m. One young mother brought her five-year-old daughter, who filled in with the hi-lighter all the columns that her mother checked off. Then I gave her some paper and she drew us all pictures of little girls beaming from the pages, the sun beaming above them. I taped them on the wall with the pictures of Obama and teased her that maybe one day she would be running for president.

The voter rolls we were updating were filled with names indicating all kinds of origins—plenty of Johnsons and Joneses mixed in with Rodriguezes and Garcias. I noticed names that were Greek, Arab, Indian, Russian, French, and African. I felt glad that immigrants to the U.S. no longer feel a need to Anglicize their names, and glad that I couldn’t even assume that these names were those of first-generation Americans. Decades ago, the country was conceived of as a melting pot, where we all were to blend in—that was the time when my ancestors came here from Scotland, Ireland, England, Germany, and France. That was one kind of diversity, but also the time when people tended to change their names to something more “American” soon after they landed here in order to “fit in.” I wondered about names that might hide negative parts of our history—slavery and Native American displacement. Nowadays, however, instead of the melting pot, we use the metaphor of the salad bowl—in which we mix but don’t have to blend to the point of disappearance or uniformity. And this is the country I love—one based on a mixture of people, both those who came before and those who continue to come as well as to be born into this rich amalgam.

At the Obama volunteer office, we were not all the same, and yet there we were, all working together. The challenges remain enormous, in spite of Obama’s fortuitous reelection and some fabulous wins in the Senate. I hope we can meet these challenges all together as a nation, even though we are not all the same. There’s a model for doing so in the Democratic party, and I hope the Republicans can join us in that.